muddle In A Puddle: Comparison Of Essay To My Life :: essays research papers

"Muddle In A Puddle": Comparison of Essay To My Life While reading the essay "Muddle in a Puddle," some very colorful images came to my mind about what I have done in my life that compare to this particular piece. Of all the times I have embarrassed myself by sticking my foot in my mouth, or by making a fool of myself by playing with a strange toy in the toy department, only to my surprise, everyone in the toy department was laughing at me. As Robert Herrick mentions in his poem "_O how that glittering taketh me!" (100 Best Loved Poems, 12) That's how I felt at that time. All of us have experienced things like this in our lives, and it is strange what makes it so interesting to watch people make fools of themselves, as mentioned by Baker in this quote, "...and any one could could have spoken out as one human might speak to another....not one had said that." (156) Yet another piece really spoke to me about the ways people communicate on a daily basis. "I led the Pigeons to the Flag" was very exact to the feelings I have of miscommunications and mishearings. I can remember times in which I have done the very same things that were mentioned in this essay, like singing a tune over and over out loud, then looking over the lyrics later. Only to my knowledge, my version of "Cannonball" was actually "Panama." The way we hear and say things is also very influential in the way others hold us in their standings. If someone catches us slipping up, they might think we are weird, or stupid. It could also be a good ice-breaker for a good friendly relationship. Sometimes not. It just depends where the people are from, and what the situations are at the time of the incident. I can remember a time, while at work at the funeral home, I was discussing school with a bereaving individual. I was trying to comfort this person, as I noticed she was very disturbed over the loss of a friend. It was around the time of finals, and she asked how they were going. I said "they're killing me!" Immediately I realized that I had said the right thing the wrong way. A million thoughts passed through my mind at that moment, as Baker had also mentioned. What was I to say to recover from this terrible thing. Change the subject? Repeat the phrase replacing killing with another mourning-friendly verb? Its hard to know what you can say around certain groups of people, or in

Describe how John Steinbeck Essay

   Similarities are used as well as the contrasting of characters. (Candy and his dog) By likening the dog to Candy, and Candy to the dog, an atmosphere which is created leads to one of the important themes of the book, the American Dream. The atmosphere itself helps us understand more about the life of the workers, where there is tension between workers â€Å"watched him uneasily†, and where it is a very cruel world, â€Å"I ain’t much good†. As previously mentioned, animal, light and sound imagery can be used very effectively to portray a certain atmosphere, but there are also other words Steinbeck uses to help him in this creation. â€Å"Fumed† can show anger in a character, making an atmosphere totally different to â€Å"sighed†. The description of the bunkhouse at the beginning of chapter two, we can see all the techniques used by Steinbeck to create atmosphere. The light images of sunlight, † bright dust-laden bar† highlights, where things will happen later on in the story. The plain words like â€Å"unpainted† help to create an atmosphere, describing the bunkhouse. References to sound, â€Å"flies shot in† uses onomatopoeia and creates movement like the beginning of the book. Finally, adding characters to the bunkhouse, â€Å"Stoop-shouldered† gives the imagery of the bunkhouse and its roughness and an image of the tiredness of the men. Using the imagery of light and sound, he sets the scene, then giving it life and relations to the reader using animal imagery, giving u the feeling you are there in the story watching what is happening. He finishes the effect by adding certain people into certain situations, Steinbeck has created an interesting story line and the way George and Lennie’s relationship has worked out. Animal imagery is used to describe the characters, but also their movements, which give us an idea of the overall atmosphere. Steinbeck has an amazing ability to create atmosphere. From the very start of the story you can tell that Lennie and George are very poor by the clothes they wear and they do not have backpacks they are carrying bindles with very little possessions in. Also they have to heat and eat the baked beans they have with them out of the tin as they do not have a saucepan or tin opener between them. This gives you a very good idea to how the two men are used to living. Loneliness affects all the characters, this is portrayed very well by Steinbeck and how the loneliness is making the characters life harder. This is due to the fact they never have a job for long enough to make permanent friends. You never find out much about the other characters as Steinbeck focuses on george and Lennie constantly, but you do learn that they are all going through the same and you find out the main characteristics of all the characters. Violence plays a large part through the story, mainly linked to Curley and Lennie. Curley made many threats to lennie and does eventually go through with what he is saying. The job at the ranch the two men have taken on is very hard and Steinbeck describes this very well by using phrases such as hard enough work to ‘bust a gut’. The bunkhouse they are staying in on the ranch is in very bad condition and the whole place is dirty and disgusting showing how bad conditions for men during those days were and what people would do just to get a bit of money. As the story develops u discover why the two men are there in the first place. George, the more mature of the two men looks after Lennie and you get the impression that Lennie needs a lot of support and isn’t capable of doing things on his own. Lennie has an obsession with soft furry things but due to his strength suffocates the mouse he gets, and this plays along throughout the story. The two men are dependent on each other but George tries to not show this to anyone. Lennie is very childish and is often referred to as having animal characteristics. When the two men arrive at the ranch and first meet the boss Lennie is told to be quiet, first u do not understand why but is eventually made clear, if he spoke he may of lost the two men their jobs due to an incident at the previous place. Lennie does not realise his own strength and gets himself in a lot of trouble. He seems to have difficulty understanding simple instructions and its George who always has to help him out of trouble. Parts of the story give you the impression that George can get very annoyed and uncomfortable with Lennie’s company and at several points threatens to leave him on his own and they will not live the ‘American Dream. ‘ The dream is one of the ways the two men combat their loneliness, by having the dream in their minds it makes them have faith and hope for the future instead f just giving up. Lennie uses the dream as something that keeps him going and he often asked George to repeat it when he is feeling down and unloved. Their American dream was to get enough money to move on and start a new life just like Lennie wanted, on a farm with rabbits (soft). We find out that Lennie has feelings for Curley’s wife and that when he gets close to her in the barn he manages to break her neck when he panics as she started to scream as he wouldn’t let go of her because her hair was soft. Lennie is very vulnerable to the outside world and has no understanding of the world and what’s going on around him. Steinbeck describes him very well, as he does George. You get the feeling of the emotions these two men are going through to get through life. It is a very good story and John Steinbeck is a very good author. Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE John Steinbeck section. 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Dorothy Day, Founder of the Catholic Worker Movement

Dorothy Day, Founder of the Catholic Worker Movement Dorothy Day was a writer and editor who founded the Catholic Worker, a penny newspaper that grew into a voice for the poor during the Great Depression. As the driving force in what became a movement, Days unwavering advocacy for charity and pacifism made her controversial at times. Yet her work among the poorest of the poor also made her an admired example of a deeply spiritual person actively engaged in addressing societys problems. When Pope Francis addressed the U.S. Congress in September 2015, he focused much of his speech on  four Americans he found particularly inspiring: Abraham Lincoln, Martin Luther King, Dorothy Day, and Thomas Merton. Days name was no doubt unfamiliar to millions watching the Popes speech on television. But his effusive praise of her indicated how influential her lifes work with the Catholic Worker Movement was to the Popes own thoughts about social justice. Fast Facts: Dorothy Day Born: November 8, 1897, New York City.Died: November 29, 1980, New York City.Founder of the Catholic Worker, a small newspaper published in the Depression which became a social movement.Named by Pope Francis in his 2015 speech to Congress as one of his four most admired Americans.Is widely expected to be declared a saint in the Catholic Church. During her lifetime, Day could seem out of step with mainstream Catholics in America. She operated at the fringe of organized Catholicism, never seeking permission or official endorsement for any of her projects. Day came late to the faith, converting to Catholicism as an adult in the 1920s. At the time of her conversion, she was an unmarried mother with a complicated past that included life as a bohemian writer in Greenwich Village, unhappy love affairs, and an abortion that rendered her emotionally devastated. A movement to have Dorothy Day canonized as a saint in the Catholic Church began in the 1990s. Days own family members have said she would have scoffed at the idea. Yet it seems likely that she will one day be an officially recognized saint of the Catholic Church. Early Life Dorothy Day was born in Brooklyn, New York, on November 8, 1897. She was the third of five children born to John and Grace Day. Her father was a journalist who bounced from job to job, which kept the family moving between New York City neighborhoods and then onward to other cities. When her father was offered a job in San Francisco in 1903, the Days moved westward. Economic disruption caused by the San Francisco earthquake three years later cost her father his job, and the family moved on to Chicago. By the age of 17, Dorothy had already completed two years of study at the University of Illinois. But she abandoned her education in 1916  when she and her family moved back to New York City. In New York, she began writing articles for socialist newspapers. With her modest earnings, she moved into a small apartment on the Lower East Side. She became fascinated by the vibrant yet difficult  lives of impoverished immigrant communities, and Day became an obsessive walker, ferreting out stories in the citys poorest neighborhoods. She was hired as a reporter by the New York Call, a socialist newspaper, and began contributing articles to a revolutionary magazine, The Masses. Bohemian Years As America entered World War I and a patriotic wave swept the country, Day found herself immersed in a life filled with politically radical, or  simply offbeat, characters in Greenwich Village. She became a Village resident, living in a succession of cheap apartments and spending time in tearooms and saloons frequented by writers, painters, actors, and political activists. Day began a platonic friendship with playwright Eugene ONeill, and for a period during World War I, she entered a training program to become a nurse. After leaving the nursing program at the wars end, she became romantically involved with a journalist, Lionel Moise. Her affair with Moise ended after she had an abortion, an experience that sent her into a period of depression and intense inner turmoil. She met Forster Batterham through literary friends in New York and began living with him in a rustic cabin near the beach on Staten Island (which, in the early 1920s, was still rural). They had a daughter, Tamar, and after the birth of her child Day began to feel a sense of religious awakening. Though neither Day or Batterham were Catholic, Day took Tamar to a Catholic church on Staten Island and had the child baptized. The relationship with Batterham became difficult and the two often separated. Day, who had published a novel based on her Greenwich Village years, was able to purchase a modest cottage on Staten Island and she created a life for herself and Tamar. To escape the winter weather along the Staten Island shore, Day and her daughter would live in sublet apartments in Greenwich Village during the coldest months. On December 27, 1927, Day took a life-changing step by riding a  ferry back to Staten Island, visiting the Catholic church she knew, and having herself baptized. She later said she felt no great joy in the action, but rather regarded it as something she had to do. Finding Purpose Day continued writing and taking jobs as a researcher for publishers. A play she had written hadnt been produced, but somehow came to the attention of a Hollywood movie studio, which offered her a writing contract. In 1929 she and Tamar took a train to California, where she joined the staff of Pathà © Studios. Days Hollywood career was short. She found the studio not terribly interested in her contributions. And when the stock market crash in October 1929 hit the movie industry hard, her contract was not renewed. In a car she had purchased with her studio earnings, she and Tamar relocated to Mexico City. She returned to New York the following year. And after a trip to Florida to visit her parents, she and Tamar settled in a small apartment on 15th Street, not far from Union Square, where sidewalk speakers advocated solutions to the misery of the Great Depression. In December 1932 Day, returning to journalism, traveled to Washington, D.C. to cover a march against hunger for Catholic publications. While in Washington she visited the National Shrine of the Immaculate Conception on December 8, the Catholic Feast Day of the Immaculate Conception.   She later recalled she had been losing her faith in the Catholic Church over its apparent indifference to the poor. Yet as she prayed at the shrine she began to sense a purpose to her life. After  returning to New York City, an eccentric character turned up in Days life, someone she regarded as a teacher who may have been sent by the Virgin Mary. Peter Maurin was a French immigrant who worked as a laborer in America though he had taught at schools run by the Christian Brothers in France. He was a frequent speaker in Union Square, where he would advocate novel, if not radical, solutions for societys ills. Founding of the Catholic Worker Maurin sought  out Dorothy Day after reading some of her articles about social justice. They began spending time together, talking and arguing. Maurin suggested Day should start her own newspaper. She said she had doubts about finding the money to get a paper printed, but Maurin encouraged her, saying they needed to have faith that the funds would appear. Within months, they did manage to raise enough money to print their newspaper. On May 1, 1933, a gigantic May Day demonstration was held at Union Square in New York. Day, Maurin, and a group of friends hawked the first copies of the Catholic Worker. The four-page newspaper cost a penny. The New York Times described the crowd  in Union Square that day as being filled with communists, socialists, and assorted other radicals. The newspaper noted the presence of banners denouncing sweatshops, Hitler, and the Scottsboro case. In that setting, a newspaper focused on helping the poor and achieving social justice was a hit. Every copy sold. That  first issue of the Catholic Worker contained a column by Dorothy Day which outlined its purpose. It began: For those who are sitting on park benches in the warm spring sunlight.For those who are huddling in shelters trying to escape the rain.For those who are walking the streets in the all but futile search for work.For those who think that there is no hope for the future, no recognition of their plight - this little paper is addressed.It is printed to call their attention to the fact that the Catholic Church has a social program - to let them know that there are men of God who are working not only for their spiritual, but for their material welfare. The success of the newspaper continued. In a lively and informal office, Day, Maurin, and what became a regular cast of dedicated souls labored to produce an issue every month. Within a few years, the circulation reached 100,000, with copies being mailed to all regions of America.   Dorothy Day wrote a column in each issue, and her contributions continued for nearly 50 years, until her death in 1980. The archive of her columns represents a remarkable view of modern American history, as she began commenting on the plight of the poor in the Depression and moved on to the violence of the world at war, the Cold War, and protests of the 1960s. Dorothy Day addressing a protest against the Vietnam War.   Getty Images Prominence and Controversy Beginning with her youthful writings for socialist newspapers, Dorothy Day was often been out of step with mainstream America. She was arrested for the first time in 1917, while picketing the White House with suffragists demanding that women have the right to vote. In prison, at the age of 20, she was beaten by the police, and the experience made her even more sympathetic to the oppressed and powerless in society. Within years of its 1933 founding as a small newspaper, the Catholic Worker evolved into being a social movement. Again with Peter Maurins influence, Day and her supporters opened soup kitchens in New York City. The feeding of the poor continued for years, and the Catholic Worker also opened houses of hospitality offering places to stay for the homeless. For years the Catholic Worker also operated a communal farm near Easton, Pennsylvania. Besides writing for the Catholic Worker newspaper, Day traveled extensively, giving talks on social justice and meeting activists, both inside and outside the Catholic Church. She was at times suspected of holding subversive political views, but in a sense she operated outside of politics. When followers of the Catholic Worker Movement refused to participate in Cold War fallout shelter drills, Day and others were arrested. She was later arrested while protesting with union farm workers in California. She remained active until her death, in her room at a Catholic Worker residence in New York City, on November 29, 1980. She was buried on Staten Island, near the site of her conversion. Legacy of Dorothy Day In the decades since her death, the influence of Dorothy Day has grown. A number of books have been written about her, and several anthologies of her writings have been published. The Catholic Worker community continues to flourish, and the newspaper which first sold for a penny in Union Square still publishes seven times a year in a print edition. An extensive archive, including all of Dorothy Days columns is available for free online. More than 200 Catholic Worker communities exist in the United States and other countries. Perhaps the most noteworthy tribute to Dorothy Day was, of course, the comments by Pope Francis in his address to Congress on September 24, 2015. He said:   In these times when social concerns are so important, I cannot fail to mention the Servant of God Dorothy Day, who founded the Catholic Worker Movement. Her social activism, her passion for justice and for the cause of the oppressed, were inspired by the Gospel, her faith, and the example of the saints. Near the end of his speech, the Pope again spoke of Days striving for justice: A nation can be considered great when it defends liberty as Lincoln did, when it fosters a culture which enables people to dream of full rights for all their brothers and sisters, as Martin Luther King sought to do; when it strives for justice and the cause of the oppressed, as Dorothy Day did by her tireless work, the fruit of a faith which becomes dialogue and sows peace in the contemplative style of Thomas Merton. With the leaders of the Catholic Church praising her work, and others continually discovering her writings, the legacy of Dorothy Day, who found her purpose editing a penny newspaper for the poor, seems assured.